Gardner Dailey,

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Background, Adverse Impacts 

 

It is undisputed that the Coral Casino, which was constructed in 1937, is the most architecturally significant building in Santa Barbara County with a style that is not Hispanic or Mission Revival. Internationally recognized Bay Area architect Gardner Dailey designed the Coral Casino which he believed was one of his best buildings. Gardner Dailey is considered to be one of the most prominent Bay Area architects of the 20th Century.

 (For more information about Gardner Dailey and his works, see the website at http://www.gardnerdailey.org).

In 1992, the Montecito Community Plan formally recognized that the Coral Casino is a valuable historic resource and should be protected. In 2002, the Coral Casino was formerly designated as a County Historic Landmark. The experts (including those who work for the Applicant) all agree that the Coral Casino as it exists today qualifies for the National Register, but questions have been raised if it would qualify after the proposed project is constructed.

Noted Santa Barbara Architectural Historian David Gebhard described the Coral Casino as "a sophisticated version of the Regency Revival" combined with the International Style Moderne. (an everyday modernism, the house of William Wurster, Marc Treib, editor, 1995, page 170).

Some of the most significant elements of Gardner Dailey’s original International Style design for the Coral Casino were:

1. The emphasis on horizontality,

2. A lightness of construction,

3. Two open Courtyards, one of which was surrounded by the original dining room,

4. The tower,

5. The monumental Main entrance, and

6. Two other open Courtyards surrounded by structures on three sides [(1) swimming pool and (2) on easterly side between cabanas and filtration equipment.

David Gebhard and Robert Winter wrote that:

"The International Style developed in Europe in the 1920s in the hands of Le Corbusier, Walter Gropius and Mies Van der Rohe. In the 1930s, William W. Wurster, Gardner Dailey and several others introduced a mild version of the International Style to the Bay area. Characteristics of the International Style were listed as:

1. Light, horizontal volumes often cantilevered over the landscape

2. Horizontality strongly emphasized

3. Walls and glass surfaces kept on the same plane

4. Stucco walls conveying lightness

5. Flat roofs, usually without parapets

6. Extensive use of glass"

(The Guide to Architecture in San Francisco and Northern California, David Gebhard and Robert Winter, 1985, pages 578-9)

The proposed project is an attempt to gain additional square footage for a hotel use. The proposed project will destroy many of the most significant architectural elements of Dailey’s original design and compromise the architectural integrity of the landmarked Coral Casino.

CONTEMPORANEOUS DESCRIPTIONS

The Architect and Engineer magazine (October 1938) stated the Coral Casino was designed "to provide complete privacy and shelter with maximum of sun and air" and "wood has been used throughout the interior and exterior, suggesting lightness and fitness to the location by the sea."

The Architectural Forum magazine (December 1940) stated:

"The chief feature of the plan is a very large pool, with cabanas on one side and a bathers’ terrace and bar on the other. Another court, reached through the long gallery, has the dining facilities, the main dining room being a light structure entirely glazed on both the ocean and court walls. In general, despite the size of the building, its treatment has been kept pleasantly informal, suggesting the intimacy and easy livability of the better California houses.

"The plan reflects the possibilities afforded by the mild climate. Courts provide all needed protection from the weather during the better part of the year, and where units must be more completely enclosed, large and light sliding walls of glass are adequate."

INTACTNESS

The additions that have been made to the Coral Casino since it was originally designed are easily reversible, but the impacts of the proposed project (second story restaurant) will not be easily reversible, if at all. Some of these later additions were:

1. The open Courtyard (see Architectural Publications and Upper Deck Pictures) was covered in 1958 with a relatively light covering or roof. Subsequent roofs were much heavier and required supporting columns where the open Courtyard once existed. (see Interior Pictures)

2. The second story Exercise facility (southwesterly of the swimming pool) was added in the 1990's.

3. The cabanas, north of the swimming pool, were moved forward next to the railing and the walkway was moved to the rear.

Most of the other additions, were not incompatible with the original design. The roof over the Courtyard can be removed and the grand staircase down to the former open Courtyard can be restored. The second story Exercise facility can be removed with very little work and the cabanas referred to above can be moved north to their original location opening up an open walkway along Gardner Dailey’s railing.

ADVERSE IMPACTS

Some of the most adverse impacts from the proposed project are listed in the following four sections

A. ADDING THE PROPOSED RESTAURANT AT A SECOND STORY

1. Adds significantly to the size, bulk and scale and are not in keeping with the original design by Gardner Dailey.

2. Changes a building primarily horizontal in appearance to one with a massing not in conformance with this defining horizontal element of the original style.

3. Changes a primarily one-story building with a vertically proportioned tower to a predominantly two story building. This reduces the impact of the tower by cutting its actual free and clear height in half. The original design appearance and dominance of the tower is compromised further by the impacts from projecting awnings surrounding the new second story restaurant and by glass-edged third floor (balcony) with furniture groupings surrounding the tower at an unprecedented third level. Or more simply stated, changes a one story building with a multi-story tower into a two story building with a stump or stub in place of the former towering element.

4. Changes a light design to a heavy design with the addition of the second story restaurant.

5. Changes a building which has an identity compliant with the unique International Style design, particularly that of a glazed wall building, with thin, horizontal perimeter roof edges and features light in appearance, to that of a heavy ponderous appearance with awning canopies extended down from the roof and non-compliant with the unique original stylistic identity.

6 The perimeter of the original railings of the Courtyard would be irreversibly and permanently lost.

7. The original sun shade pavilion designed by Gardner Dailey which is located south of the tower and the cabanas on the easterly side of the sundeck will be irreversibly and permanently obliterated by the new restaurant construction.

8. Removes the lightly structured original cabanas with shallow flat roofs in favor of a thick roof that would contain heating, ventilation and air conditioning ducts and lighting for the restaurant and its kitchen.

9. The existing later modifications to the original Gardner Dailey design are so far reversible. However, the proposed second story restaurant would present a dramatic alteration and addition affecting a large amount of the original construction, and would be irreversible.

B. CREATION OF A NEW ENTRANCE AT BASE OF THE LIGHTHOUSE TOWER

1. A significant characteristic of Gardner Dailey designs was his emphasis on a main entrance. The proposed additional entrance under the tower will detract from his spectacular main entrance that frames the view of the pool and Pacific.

2. The original design as constructed had substantial landscaping at the base of the tower, and focused attention appropriately on the main entrance. Creation of a new entrance at the tower would result in an increase of hardscaping and creating a loss of the Gardner Dailey, FAIA design concept.

3. The narrow existing door in the tower is a non-original element, added later as a service area emergency exit and nowhere present in Gardner Dailey FAIA’s 1937 design. To utilize and modify this non-historic door as proposed is not compliant with the stated objectives of returning the building to a more authentic condition of Gardner Dailey’s design and concept.

C. INTERIOR

1. The interior columns in the ballroom and dining area (except for the two in the center area which were installed to support the heavier roof and dropped ceiling) represent the locations of the original restaurant and Courtyard. The proposed redesign removes the columns which show the location of the original restaurant and Courtyard. Given the non-historic enclosure of the open Courtyard, the removal of these columns unnecessarily further aggravates damage to the original design. If the second story restaurant is constructed without the columns, there will be nothing to show the existence of the former dining room and Courtyard.

2. The columns in the center of the ballroom were added to support a heavier roof that was installed in the last 20 years. The original roof or covering that was installed over the open Courtyard in 1958 did not require or have those center supporting.

D. EAST ELEVATION AND ALLEY

1. Another of Gardner Dailey’s Courtyards, referred to as an "alley" or "dog run" is located on the easterly side of the building. That Courtyard was designed with some very interesting angles which add to the overall design. The proposed project will remove that Courtyard and replace it with additional storage space and flat wall on the eastern facade.

2. Alteration and additions on the east elevation to add storage irreversibly alters the original facade. This reduces the amount of the Gardner Dailey FAIA design unnecessarily and detracts from the original appearance.

3. Removal of the original windows eliminates this important design feature from both the east elevation and the cabanas along the east elevation.

4. There is no provision to restore the detailing on the east elevation and its historic fabric will be lost.

E. PROPORTIONS

1. Gardner Dailey gave great attention to details and proportions as can be seen from his World War II Manila American Cemetery and Memorial which can be viewed at

http://www.abmc.gov/ml.htm .  The restaurant will cause significant adverse impacts to the proportions of the Coral Casio.

2. The swimming pool is surrounded on three sides by buildings and can be considered another one of Gardner Dailey’s Courtyards. The proposed plan will add more cabanas on the east side of the swimming pool which will undermine the proportions of the easterly wing of the Coral Casino that face in a westerly direction and adversely impact the original design.

 

 



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